Spoiler and trigger warnings.
After last period’s horrific finale where Tyler Down is graphically intimately assaulted by having a broom, I vowed to myself that I would personallyn’t view any longer of Netflix’s controversial show 13 explanations why, which will be problematic at most readily useful and a heap that is flaming of at worst.
We planned on maintaining that promise—that is, until i got to my home Friday evening and my roomie had been an episodes that are few. And so I made a decision to settle in, and now we quickly binged all of it.
And I also be sorry.
Nearly all of period three reads being an apology trip for a serial rapist. We find away in episode one which Bryce Walker, the vile jock who raped Hannah Baker in period one, happens to be murdered and any one of many major castmates had likely cause to destroy him. Through flashbacks, we are obligated to understand “good part” of Bryce where he attempts to make amends for their “mistakes,” but fails therefore spectacularly which he ultimately ends up dead.
Throughout all that nonsense, 13 main reasons why manages to introduce and bury a homosexual character in a matter of some episodes.
We came across Montgomery de la Cruz last period, but we did not understand much he graphically sodomized Tyler against his will about him besides his All-American asshole jock demeanor that took a turn for the worse when. The assault stayed a key and lingers over Monty’s character all season very very long.
In episode five of the season, Monty attends an ongoing celebration with Bryce. We later learn is named Winston as they walk up to the mansion that these high schoolers are partying in, Monty makes intense eye contact with a boy.
“who is the Latinx?” Winston leans up to their buddy as Monty walks past, though i’ve no clue A) how anybody would assume this guy ended up being such a thing except that caucasian and B) why this young kid relates to some body as “the Latinx.” Is this a racist pejorative? Some progressive slang that is new? Have you thought to simply Latino? I’m not sure things to feel in this minute besides amused confusion. In fact, the star whom plays Monty, Timothy Granaderos, is half Filipino, but We digress.
The way closeted kids struggling with their sexuality do after a few drinks and more lingering eye contact, Monty and Winston uncomfortably hook up in an upstairs bedroom. But as Bryce and Monty leave the ongoing celebration, Winston gets up and states bye to him right in front of everybody. Incorrect move. Monty calls the young kid a faggot and quickly beats the shit away from him.
The scene adds an upsetting new layer of homophobia and self-loathing to his prior sexual assault of Tyler as Monty’s repressed sexuality is clearly playing a role in his rage and violence.
Very little else happens with Monty’s sex before the period finale, where this period’s irritating new British narrator Ani structures Monty for Bryce’s murder through “process of reduction.” Literally. She describes to a deputy that since everybody else had an alibi, it might simply be Monty. No proof required. Completely rational.
But while Ani is weaving her web of lies, we come across just just what Monty had been really as much as that evening. He bumped into Winston once more, apologized for their actions, together with two boys find yourself spending the night together, an infinitely more tender scene compared to one before.
Viewing them explore their attraction to one another therefore lightly is really quite touching, making their actions that are terrible tougher to digest. He seems he wants to be, so Monty lashes out in disgusting ways like he can’t be who. We even obtain a scene where Monty’s daddy visits him in prison and spits on him to be homosexual. Perhaps i’ve a soft spot for LGBTQ figures, but Monty’s tale hit more of a chord for the reason that ten-minute period that Bryce’s storyline had all season.
When Ani completes telling lies on Monty, the deputy she actually is sharing her murder concept with reveals that Monty had been actually been murdered in the cell earlier that day. Then he agrees to implicate Monty to protect the involvement up of their own son.
And thus another homosexual is hidden. And our gang of “heroes” successfully pinned Bryce’s murder for a dead kid.
There is a great deal with this plot that requires unpacking.
Really, i am sick of the ukrainian women for marriage pretty-softboi-falls-for-the-abusive-closeted-jock storyline that therefore many homosexual coming-of-age stories revolve around. Probably the Perks to be a Wallflower made it happen well, but it is become a little bit of a cliche that is dangerous this time. A lot of queer tales center violence during the early relationships that people sooner or later need certainly to ask whenever we’re simply telling tales or perpetuating stereotypes and producing harmful expectations for young audiences that are queer. Particularly when the injury of the who have been mistreated is not explored in virtually any way that is meaningful in addition they nevertheless wind up dating their abuser.
Bryce Walker’s storyline is similar to Brock Turner and several white male rapists for the reason that he’s pathologically humanized. He is simply a young child. He made some mistakes that are awful. He even gets a love interest this year. But while this white guy gets to inquire of for understanding and forgiveness, no body attempts to comprehend any such thing concerning the queer person-of-color which was just falsely accused of murder and eventually ends up dead in a prison mobile. This will be possibly the most upsetting dual standard associated with period.
13 reasoned explanations why demanded us to determine if abusers deserve forgiveness in 2010 but—either unintentionally or purposefully—decided that this person that is queer of did not deserve an identical variety of nuanced discussion, and alternatively kills him off before we have had the opportunity to ask issue for ourselves.
Within the last few moments associated with finale, Winston confronts Ani on framing Monty for Bryce’s murder. “He had been a person,” he states forebodingly, guaranteeing a return season that is next. “He did not deserve to perish that way.” And then he’s right. Utilising the hardships of LGBTQ teenagers as a plot unit, then swiftly killing from the character, reinforces the proven fact that our storylines—and lives—are inconsequential and disposable.